Review: ‘Cake: A Slice of History’
Red and white wines arranged on the table behind her, a display reinforced by custom-made cupcakes configured in black and white tiers on the neighbouring stall, and one thing was already clear: it...
View ArticleReview: ‘Aeneid, Book VI’
‘It seems almost miraculous to be able to publish a new work by Seamus Heaney after his passing, as if even now he were capable of offering his readers a gift…’ – Matthew Hollis, poetry editor, Faber...
View ArticleReview: Tom Stoppard on text and performance
How much “Shakespeare” is there in a Shakespeare play? A facetious question, perhaps. But it’s a question that is peculiarly specific to the theatre — how much of the author can one distinguish in a...
View ArticleReview: ‘The Mays 24’
Student writers put a heart-stopping amount of time, effort and talent into their work. Sometimes, if they’re lucky, they make it in to student anthologies. The Mays is far and away the most...
View Article“Just put things on the internet, for god’s sake!”: An interview with Harry...
Harry Giles is a writer, performance artist and game designer whose first poetry collection Tonguit has been shortlisted for the Forward Best First Collection. leoemercer talks to them about...
View ArticleReview: ‘Hag-Seed’
Who — or what — is “Shakespeare”? By 2016, the 400th anniversary of Shakespeare’s death, even the lesser known plays such as Cymbeline have been subject to multiple revisions, resettings, and...
View ArticleThe Unfinished Palazzo: An Interview with Judith Mackrell
Judith Mackrell is the Guardian’s dance critic and author of ‘The Unfinished Palazzo: Life, Love and Art in Venice’. The book tells the story of three women — Luisa Casati, Doris Castlerosse and Peggy...
View ArticleThe Long View: Reconsidering the Confessions
I hesitate before I answer one particular question that I am regularly asked: what do you write? I write memoir. My reticence is indirectly related to the idea that memoir ranks quite low in the...
View ArticleReview: ‘Borrowed Time’
From a career perspective, the middle initial is the would-be sci-fi writer’s greatest asset. Especially if you also hope to maintain a career in the Literary Sphere, a good middle initial can...
View ArticleReview: ‘This Is The End Of The Story’
‘Narrative cannot order experience, but only register something about the quality of experience.’ A tale of multi-layered, multi-faceted maturation, Jan Fortune’s This Is The End Of The Story...
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